Showing posts with label Best British Short Stories 2011. Show all posts
Showing posts with label Best British Short Stories 2011. Show all posts

Monday, 23 April 2012

The Swimmer - The Old Stile Press





Almost two years ago I wrote my first short story.

I'd begun plenty of stories before, but when the going got tough, I'd always abandoned them - I was unable to close my editorial eye long enough to finish an imperfect beginning. And of course most beginnings are imperfect. They need work, revision - but only once you've reached the end.

This was the first one I'd seen all the way through to its conclusion, and it was a  scary process. I had to force myself keep going, to refuse to let myself put it aside and start another.

So when I finished I was ecstatic - but I'd no idea if the story was any good. I was far too close to it and the process of writing it.

I showed it to Susan Wicks, who's almost entirely responsible for me coming to believe that I can write fiction. She read it and suggested strongly (that's about as strong as Sue gets) that I send it out. So I did, and it was rejected. She suggested I try again, and Michael Hulse at The Warwick Review published it, in the December 2010 issue. I was overwhelmed - I'd been a jobbing writer for years, but writing fiction was something else. It matters too much to get wrong, but Michael's approval meant I could turn away from my decades of self-imposed fictional  silence.

'The Swimmer', that first story, is about a woman addressing her fear of going down to the river that she watches every day, of stripping off and slipping into the water.

It's not about me - though me and the river in the story have a long history - but maybe me and the woman were in some way addressing our fears together.

I couldn't have predicted what happened next - Nicholas Royle at Salt chose 'The Swimmer' for The Best British Short Stories 2011, where it sat alongside writing gods like David Rose, Hilary Mantel and Michele Roberts.

I almost froze at this point - could I ever write another story people liked as much? But I got writing again, and more of my stories were published.

I told my friend Steffi Pusch about 'The Swimmer' - she's a photographer who takes fabulously instinctive pictures - and we wondered if we could make a book together, blending my words and her pictures. I showed Steffi the place on the Medway where I'd set the story, and she spent sunny days down there creating images that capture perfectly the heat and intensity of the story.

We started to look for a printer - we both love letterpress - and each came across The Old Stile Press, who make utterly beautiful hand printed books. I didn't think they'd be interested, because they're publishers rather than printers, but Steffi was optimistic and wrote to Nicolas and Frances McDowell, describing our joint work.

To our amazement they wanted to publish our book, and last week they received the first bound copy - that's their photo of it at the top of this entry. Doesn't it look gorgeous? I haven't received mine yet, but I couldn't wait to celebrate its publication here.

Nicolas and Frances have written a lovely blog entry about the book at The Old Stile Press Blog with more pictures, showing off Steffi's photos and the fabulous typography.

Thank you Steffi, Nicolas and Frances - and Michael and Nicholas - for backing my first short story!


Thursday, 19 May 2011

Party party

Thanks to J, S, N, C and my Mum for unofficially launching The Best British Short Stories 2011 last night in the pub, complete with pink balloons. We always meet once a month or so to talk about a book we've all read so it seemed a good idea to try some short stories for a change, since BBSS11 was thrusting itself at us, waving wildly, shouting 'pick me! pick me!'. Though it's only been out a fortnight we all had a copy (might have something to do with my wild excitement when I heard I'd be in it).

The idea was that we'd pick our six favourites and see which two came out on top - but our taste turned out to be so varied that no two did come out clear favourites (no one was allowed to pick mine, to save embarrassment). So we talked about what makes a short story (something has to change, thanks Nic Royle, for your helpful introduction) and why some of these made us squirm, others puzzled us, and several made us bow down in awe.

And now we're going back to re-read to see if we can work out what the deeply unreliable narrator in So Much Time in a Life was telling us, and what the lozenge shape on the lawn was in Flora, and we'll re-read all the rest simply to wallow in the pleasure of a perfect variety pack of stories.

Saturday, 30 April 2011

1 minute, 2 minutes, 3 minutes, 4 minutes, 5 minutes - STOP!

I've been putting this off - but it's time to face the page and read The Swimmer aloud to myself to see how long it takes. I'm reading at the launch of Best British Short Stories on Tuesday and I have five minutes. And I ideally should stop reading at a point which will send the crowd (crowd?) into a frenzy of dissatisfaction so that every one of them rushes to the table at the back to buy a copy.

In fact I'm less nervous of the reading than of the mingling before and after. Will there be anyone else there willing to confess that - while they read obsessively - they can rarely remember the plot or characters of anything they've read?

Or that while they were out for a walk this afternoon they experienced a sudden and disconcerting urge to reread Tales of Brambly Hedge? Where did that come from?